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Croatia first appeared as a duchy in the late 7th century and then as a kingdom in the 10th century.From the 12th century it remained a distinct state with its ruler (ban) and parliament, but it obeyed the kings and emperors of various neighboring powers, primarily Hungary and Austria.Boyd 4 Variation in Early Paintings and Engravings 51 Iain Davidson Part II Inscribed Landscapes 69 5 Rock Art and Seascapes 71 Ian J. Brady 6 The Social Dynamics of Aggregation and Dispersal in the Western Desert 90 Jo Mc Donald and Peter Veth 7 Rock Art and Transformed Landscapes in Puerto Rico 103 Michele H. Cinquino Part III Rock Art at the Regional Level 125 8 Megalithic Rock Art of the Mediterranean and Atlantic Seaboard Europe 127 George Nash 9 North American–Siberian Connections: Regional Rock Art Patterning Using Multivariate Statistics 143 Alice Tratebas 10 Southern Melanesian Rock Art: The New Caledonian Case 160 Christophe Sand 11 Rock Art Research in India: Historical Approaches and Recent Theoretical Directions 179 James Blinkhorn, Nicole Boivin, Paul S. González Morales 16 Rock “Art” and Art: Why Aesthetics Should Matter 276 Thomas Heyd 17 Recursive and Iterative Processes in Australian Rock Art: An Anthropological Perspective 294 Howard Morphy 18 A Theoretical Approach to Style in Levantine Rock Art 306 Inés Domingo Sanz Part VI Contextualizing Rock Art 323 19 Rock Art in Situ: Context and Content as Keys to Meaning 325 Linea Sundstrom 20 Symbolic Discontinuities: Rock Art and Social Changes across Time and Space 341 Maria Isabel Hernández Llosas 21 Parietal Art and Archaeological Context: Activities of the Magdalenians in the Cave of Tuc d’Audoubert, France 364 Robert Bégouën, Carole Fritz, and Gilles Tosello 22 Rock Art, Inherited Landscapes, and Human Populations in Southern Patagonia 381 Judith Charlin and Luis A.Borrero Part VII The Mediating Role of Rock Art 399 23 When Worlds Collide Quietly: Rock Art and the Mediation of Distance 401 Ursula K.Frederick 24 Picturing Change and Changing Pictures: Contact Period Rock Art of Australia 420 Paul S. Taçon, June Ross, Alistair Paterson, and Sally May Part VIII Rock Art, Identity, and Indigeneity 437 25 Rock Art, Identity, and Indigeneity 439 Robert Layton 26 Shamanism in Indigenous Context: Understanding Siberian Rock Art 455 Andrzej Rozwadowski 27 Rock Art, Aboriginal Culture, and Identity: The Wanjina Paintings of Northwest Australia 472 Valda Blundell and Donny Woolagoodja Part IX Rock Art Management and Interpretation 489 28 Rock Art and the UNESCO World Heritage List 491 Nuria Sanz 29 Safeguarding a Fragile Legacy: Managing u Khahlamba-Drakensberg Rock Art 515 Aron Mazel 30 Managing Rock Art Sites 532 Valerie Magar 31 From Discovery to Commoditization: Rock Art Management in Remote Australia 546 Peter Veth Part X Dating Rock Art: Technological Advances and Applications 563 32 Radiocarbon Dating of Rock Paintings: Incorporating Pictographs into the Archaeological Record 565 Karen L. Rowe 33 Twelve Years of Research in Chauvet Cave: Methodology and Main Results 583 Jean Clottes and Jean-Michel Geneste 34 In Suspect Terrain: Dating Rock Engravings 605 David S.Whitley Part XI Rock Art in the Digital Age 625 35 Digital Enhancement of Deteriorated and Superimposed Pigment Art: Methods and Case Studies 627 Liam M. Gunn 36 Robust and Scientifically Reliable Rock Art Documentation from Digital Photographs 644 Mark Mudge, Carla Schroer, Tommy Noble, Neffra Matthews, Szymon Rusinkiewicz, and Corey Toler-Franklin 37 Engaging a New Digital Citizenry 660 Michael Ashley and Cinzia Perlingieri Index 670Jo Mc Donald’s career has combined cultural heritage management and rock art research.
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The period from the 15th to the 17th centuries was marked by bitter struggles with the Ottoman Empire.
After being incorporated in Yugoslavia for most of the 20th century, Croatia regained independence in 1991.
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